Post by account_disabled on Dec 13, 2023 13:09:51 GMT 8
Writing and TV – and writing and cinema – are in a certain sense linked: they tell stories and they must do it in the best possible way. Behind a TV series there is someone who thought of it and wrote it. You can learn to watch TV series: a writer can find elements that are really useful for building a story. The common thread There is a theme that is carried forward in television series: it is also true that many are detective stories, so the main theme is crime, but I remember old TV series like The Addams Family , Arnold , Three Nephews and a Butler , Fury , etc. . There was a common thread that represented the soul of the series.
A writer must keep this thread in mind when writing: not only, in my opinion, when preparing an anthology of short stories or a saga, but also when writing a novel. Can't we consider the various Phone Number Data chapters as so many episodes of a television series? The winning scheme You can call it a scheme, format, model, structure: in any case there is a pre-established framework that holds everything up. Let's take an episode of Castle : Castle is informed of the murder at the station we begin to discuss and make plans scene in the morgue Castle and Beckett investigate.
Castle's private life still at the station: developments in the case still private life and skits not related to the case action before the conclusion of the case end I quoted from memory, just to reiterate that within a TV series - as within a comic book - there is a model to respect: a winning model, because it simplifies the work of the scriptwriter and the screenwriter. The outline represents the guidelines to follow to write the story from beginning to end. A writer can exploit this pattern: in writing detective stories, thrillers, horror, but also fantasy or other genres. In writing short stories. The scheme can also vary, indeed it must vary, but I believe that it is fundamental, at least for certain more complex stories, to create a scheme before proceeding with the actual narration.
A writer must keep this thread in mind when writing: not only, in my opinion, when preparing an anthology of short stories or a saga, but also when writing a novel. Can't we consider the various Phone Number Data chapters as so many episodes of a television series? The winning scheme You can call it a scheme, format, model, structure: in any case there is a pre-established framework that holds everything up. Let's take an episode of Castle : Castle is informed of the murder at the station we begin to discuss and make plans scene in the morgue Castle and Beckett investigate.
Castle's private life still at the station: developments in the case still private life and skits not related to the case action before the conclusion of the case end I quoted from memory, just to reiterate that within a TV series - as within a comic book - there is a model to respect: a winning model, because it simplifies the work of the scriptwriter and the screenwriter. The outline represents the guidelines to follow to write the story from beginning to end. A writer can exploit this pattern: in writing detective stories, thrillers, horror, but also fantasy or other genres. In writing short stories. The scheme can also vary, indeed it must vary, but I believe that it is fundamental, at least for certain more complex stories, to create a scheme before proceeding with the actual narration.